Year Group: 10
Rationale:
Students will learn about surrealism as an art movement that was
concerned with the imagination and subconscious. Students will be exposed to
surrealist landscapes by Salvador Dali, Joan Miro, Yves Tanguy and Max Ernst.
Students will learn how to create fantasy realms using their imagination
and develop an imaginative way of working. Deep thinking processes such as
reflection and introspection will be combined with research on the art
movement.
Prerequisite:
Before undertaking this unit of work, year 10 students would already have
a solid foundation of the elements of a landscape for e.g constructing the
foreground, mid-ground and background.
Students have previously been exposed to other art movements such as
impressionism and styles of painting such as portraiture. However, this will be
an in depth unit of working that will drive a deep understanding of an art
movement rather than a general overview.
Materials:
Students will be using oil painting to depict their landscapes and will
be taught techniques on brush strokes and their effect. There will also be an
emphasis on the procedures to clean the brushes and handle oil paints.
The collage component of the work can come from a variety of image
resources such as newspaper images or text, magazines, books as well as found
images on the Internet. Teachers should be aware of the appropriateness of the
images as well as issues of copyright if students choose to use an image from
the Internet.
Students will use a visual arts diary to record their research, create
subsequent sketches and experiment with the mediums they will be using. The
visual arts diary also serves as an important tool for the processes of
reflection and introspection.
Assessment:
The final product should depict a surrealist landscape using the
technique of painting and collage. (60%)
Students will also need to hand in a 500 word reflection piece on how
their work engages with the imagination and subconscious. In this response they
will need to make reference to 1-2 surrealist artists. (30%)
The student’s visual arts diary will also be taken into account as
evidence of research and experimentation. (10%)
Example of
Surrealist landscape:
Figure 1.1
Joan
Miro, Harlequin Carnival
1925
Oil on
canvas

0 comments:
Post a Comment